7x7 Queens Puzzle #120

About 7x7 Queens puzzle #120

This is puzzle number 120 in the 7x7 collection, rated medium. The grid holds 49 squares split between seven colored regions, and a finished board carries seven queens — one in every row, one in every column, one in every color, and never two of them touching, diagonals included.

As with every puzzle in this collection, #120 has a single verified solution and needs no guesswork. Each queen follows from something already visible. What the board controls is tempo — how soon the first forced move shows up and how far apart the rest are spaced — and that is a direct consequence of how these colors are cut.

How the colors divide this board

From smallest to largest, the regions on puzzle #120 are: pale yellow (1 square), indigo (3 squares), blue (3 squares), amber (6 squares), red (9 squares), slate (10 squares), mint (17 squares). An even split would hand every color 7 squares, so the pale yellow region is running 6 squares under that average while the mint region is the roomiest area on the grid with 17 squares.

Every color takes one queen and one only, whatever its size — which is why the 16 square difference between pale yellow and mint is worth noting before you touch the grid. The cramped colors resolve first and hand you information; the roomy ones absorb whatever is left over at the end.

A region's outline can constrain it more than its size does. Here indigo is the most solid, filling 100% of its 1×3 box, and slate the most diffuse at 56% of its 6×3 box. Solid blocks give clean eliminations; diffuse ones spread across the board and stay open longer.

Region by region

The complete breakdown of each region on this board follows, ordered from tightest to roomiest. Skimming the spans first tells you where the board is crowded and where it has slack.

Pale yellow: 1 square across rows 7–7, columns 5–5. It never leaves row 7, so its queen is locked to that row.

Indigo covers 3 squares, spanning 1 row and 3 columns (rows 1–1, columns 3–5). It never leaves row 1, so its queen is locked to that row.

Blue occupies 3 squares within rows 1–3, columns 2–2. It sits wholly inside column 2, so its queen must be in that column.

Amber: 6 squares across rows 1–2, columns 3–7.

Red covers 9 squares, spanning 3 rows and 5 columns (rows 5–7, columns 1–5).

Slate occupies 10 squares within rows 1–6, columns 1–3.

Mint: 17 squares across rows 2–7, columns 4–7.

Where to start on this board

Open on the tightest color. Here that is pale yellow, confined to 1 square between rows 7 and 7 and columns 5 and 5. Its queen has nowhere else to go, which means those 1 row and 1 column carry more constraint than anywhere else on #120.

Because pale yellow never leaves row 7, its queen must be in that row — and that instantly settles row 7 for everyone else. Sweep along it and X out every square that is not pale yellow. Then look at which colors just lost ground: on a grid this size that one observation usually forces a second region within a move or two.

Work outward to the other flat regions next. Indigo and amber are no more than two rows tall, so their queens are confined to a narrow band. When two flat regions overlap the same pair of rows, those rows are spoken for and every other color is locked out of both — the single most productive pattern in the game, and it is live on this board.

The tightest lines on puzzle #120

A quick way to find the next move is to count how many different colors touch each line. On this board, row 4 is the narrowest, touched by only 2 colors. Columns 1, 6 and 7 are the tightest columns, with 2 colors.

The fewer colors a line touches, the sooner it surrenders its queen. A row meeting just 2 colors has to be claimed by one of them, which pushes every remaining region into the other 6 rows. Row 2, meeting 4 colors, is the opposite case — the busiest line on #120 and the last one you should expect to crack.

Working through the middle game

Once two or three queens are down, the board changes character. Each queen removes an entire row, an entire column and the ring of up to eight squares around it, so the grid shrinks faster than most people expect. The habit that pays here is marking rather than remembering: after every placement, cross out the full row, the full column and all eight neighbours before hunting for the next move.

Two checks, run alternately, will carry you through the 49 squares of this grid. First: has any of the seven regions been reduced to a single open square? Second: has any row or column? Either answer forces a queen. Players who stall on 7x7 boards almost always run one of those checks and forget the other.

Resist the plausible-looking queen. On #120 every correct placement has a stated reason behind it, and any move you cannot justify is a guess wearing a disguise. Backing out of a wrong guess on a single-solution board takes far longer than finding the real deduction would have.

Why puzzle #120 is rated medium

Ratings track how generous the opening is. On #120 you get four regions pinned to a single row or column, a smallest color of 1 square, a tightest row crossed by 2 colors, and a 16-square gap between the largest and smallest regions. Those four numbers largely explain the medium label.

Difficulty in Queens is never arithmetic and never luck. Every board has one solution and none require guessing. What varies is the length of the chain you must follow before the next queen becomes certain — one or two steps on an easy board, five or six on a hard one, sometimes with several partial eliminations held in play at once.

A board that feels above its rating is nearly always a board with a missing X. Audit every queen on the grid: full row cleared, full column cleared, all eight touching squares cleared. Diagonals are the common omission, and missing one is far more often the cause of a stall than any genuine difficulty in the puzzle.

Techniques that work well at 7x7

At 7x7 the whole grid stays within a single glance, which makes systematic scanning practical. Read the rows in order and count the colors in each — a row touched by two colors is far more constrained than one touched by five, and that is usually where the next forced move hides. The board is small enough that re-scanning from the top after each placement costs almost nothing.

There is one technique that repays study at every grid size. Two regions restricted to the same two rows must occupy one row apiece, which excludes all other regions from those rows entirely; the identical logic applies to columns and to larger matched sets. It converts slow boards into fast ones, and the likeliest place to find it on #120 is row 4.

Here is a shape check that gives nothing away: when #120 is solved, 4 queens sit on the outer edge of the grid and 3 sit inside it, and no queen lands in a corner. A work-in-progress board that clusters its queens in one quadrant while leaving others bare is usually carrying a mistake.